Saturday, July 28, 2012

Hot jorts

Felipe Martins

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  1. The subject (the model) caught our eye broadly about the web in the second portrait; the first is brand new to me here, and they are materially different. The power in the four extremities is celebrated in the second and muted in the first, and other distinctions of self-presentation abound (although directed by the photographer, we don't promptly feel that), even down to the hair and its styling. The clothes are a more powerful link than his own projection, with affability and heat concentrated in the second, and elegance in the first. One would take both of them and explore all sides.


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