Is Nascimento the highest-priced spread on the market these days? I shouldn't wonder, because he has wrought his career with canny salesmanship. I liked this portrait in colour a bit more than this, because the digital medium lacks the texture in highlights to avoid excessive shine in monochrome, unless originally balanced for it. Still, the table between the calves is very solid, and considering that it needs to be, that is heartening.
For those interested in comparing the two versions, the color version is available at
edilsonnascimento.com/Outtakes9.htm
L-- you may be right about the texture of the highlights, but the b/w version leaves more to the imagination--Emily Dickinson's lines about the seductiveness of the veil are apropos here. This picture invites one to insert oneself into its tale, and the relative lack of visible detail and the prominence of the shadows in the b/w version facilitate that. Good photography should be appreciated and applauded, but do we visit The Slab solely for ascetic reasons? Are there not other, more insistent reasons that we avail ourselves of The Slabber's excellent eye and willingness to troll countless websites to select the best for our viewing pleasures? I must confess that I find myself stirred by The Slabber's collections for less than intellectual reasons. I submit that the primary attraction of this image is the placement of the body on the table (notice the slightly worn edge of the board visible between his ankles--what has this table been used for?) and the way that the legs direct the eye to the butt. In the b/w version, the dark at the top of the triangle formed by the legs engenders far more thoughts and invites one to imagine a story far more successfully than the color version with its coral-colored briefs visible between the legs. The Slabber's decision to post the b/w version is an invitation to narrative and further proof, were any needed, of his taste and wisdom.
I have never held this space's postings to be a test of the blogger's eye, any more than I'd have thought it possible to come here for "ascetic" reasons, so I compliment you on these notions. I hadn't thought, either, that the posting of a monochrome image (from the same set whose colour images have been posted, not that it matters), represented any sort of didactic intent. But I don't know that I would dream of resorting to the vanishing vestige of one's imagination which is left by an incendiary portrait of a hottie on a plank, whether in colour or monochrome, to prove anyone's "taste and wisdom." His hospitality, yes; and I think we're discussing the same thing. :)
Unless one says goodbye to what one loves, and unless one travels to completely new territories, one can expect merely a long wearing away of oneself. - Jean Dubuffet
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. . . Remember that not getting what you want is sometimes a wonderful stroke of luck.
-- His Holiness the Dalai Lama . . .
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The Slabber
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If you are kind, people may accuse you of selfish, ulterior motives; be kind anyway.
If you are successful, you will win some false friends and some true enemies; succeed anyway.
If you are honest and frank, people may cheat you; be honest and frank anyway.
What you spend years building, someone could destroy overnight; build anyway.
~ Mother Theresa
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Special Content
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. A conservative is a man who is too cowardly to fight and too fat to run. -- Elbert Hubbard .
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.My call for a spiritual revolution is thus not a call for a religious revolution. Nor is it a reference to a way of life that is somehow other-worldly, still less to something magical or mysterious. Rather, it is a call for a radical re-orientation away from our habitual preoccupation with self towards concern for the wider community of beings with whom we are connected, and for conduct which recognizes others' interests alongside our own.
- His Holiness the Dalai Lama
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Great men are they who see that the spiritual is stronger than any material force, that thoughts rule the world. -- Ralph Waldo Emerson
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. . . Some people spend their entire lives reading but never get beyond reading the words on the page, they don't understand that the words are merely stepping stones placed across a fast-flowing river, and the reason they're there is so that we can reach the farther shore, it's the other side that matters. -- José de Sousa Saramago
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Beauty provoketh thieves sooner than gold. -- William Shakespeare
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Fighting Against Neglect
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Our problems, both those we experience externally such as wars, crime and violence and those we experience internally as emotional and psychological suffering will not be solved until we address this underlying neglect of our inner dimension. That is why the great movements of the last hundred years and more--democracy, liberalism, socialism, and Communism--have all failed to deliver the universal benefits they were supposed to provide, despite many wonderful ideas. A revolution is called for, certainly, but not a political, an economic, or a technical revolution. We have had enough experience of these during the past century to know that a purely external approach will not suffice. What I propose is a spiritual revolution.
In a dying civilization, political prestige is the reward not of the shrewdest diagnostician but of the man with the best bedside manner. It is the decoration conferred on mediocrity by ignorance.
A pose that inevitably channels one's thoughts to pleasuring a certain part of this lad's anatomy.
ReplyDeleteI agree this pose is AWESOME - I love a man laid out like food on a table
ReplyDeleteIs Nascimento the highest-priced spread on the market these days? I shouldn't wonder, because he has wrought his career with canny salesmanship. I liked this portrait in colour a bit more than this, because the digital medium lacks the texture in highlights to avoid excessive shine in monochrome, unless originally balanced for it. Still, the table between the calves is very solid, and considering that it needs to be, that is heartening.
ReplyDeleteFor those interested in comparing the two versions, the color version is available at
ReplyDeleteedilsonnascimento.com/Outtakes9.htm
L-- you may be right about the texture of the highlights, but the b/w version leaves more to the imagination--Emily Dickinson's lines about the seductiveness of the veil are apropos here. This picture invites one to insert oneself into its tale, and the relative lack of visible detail and the prominence of the shadows in the b/w version facilitate that. Good photography should be appreciated and applauded, but do we visit The Slab solely for ascetic reasons? Are there not other, more insistent reasons that we avail ourselves of The Slabber's excellent eye and willingness to troll countless websites to select the best for our viewing pleasures? I must confess that I find myself stirred by The Slabber's collections for less than intellectual reasons. I submit that the primary attraction of this image is the placement of the body on the table (notice the slightly worn edge of the board visible between his ankles--what has this table been used for?) and the way that the legs direct the eye to the butt. In the b/w version, the dark at the top of the triangle formed by the legs engenders far more thoughts and invites one to imagine a story far more successfully than the color version with its coral-colored briefs visible between the legs. The Slabber's decision to post the b/w version is an invitation to narrative and further proof, were any needed, of his taste and wisdom.
Jonz
I have never held this space's postings to be a test of the blogger's eye, any more than I'd have thought it possible to come here for "ascetic" reasons, so I compliment you on these notions. I hadn't thought, either, that the posting of a monochrome image (from the same set whose colour images have been posted, not that it matters), represented any sort of didactic intent. But I don't know that I would dream of resorting to the vanishing vestige of one's imagination which is left by an incendiary portrait of a hottie on a plank, whether in colour or monochrome, to prove anyone's "taste and wisdom." His hospitality, yes; and I think we're discussing the same thing. :)
ReplyDelete